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Features

Dec 23 2022

Faye and the Fox

Ella has been up to a whole bunch of interesting stuff recently. She works such long hours in the pottery studio and results of her work are just stunning. She’s been making some amazing, sculpted ceramic foxes and unique ceramic jewellery that she sells mostly through her Etsy store called Faye And The Fox.

The logo of Faye and the Fox
a ceramic fox with antlers
two ceramic foxes
two ceramic foxes
one of Ella's ceramic foxes
some ceramic foxes from Faye and the Fox
some ceramic foxes from Faye and the Fox
some ceramic foxes from Faye and the Fox

The detail Ella adds to these sculptures is incredible. Based on their size, these fox sculptures would be called small, or even miniature. The detail Ella puts into the scarves and Christmas jumpers that the foxes are wearing requires a very steady hand, a very fine brush and abundant patience. When I see what she can do, I’m just dumbfounded – it’s amazing that she can do these so precisely (you couldn’t believe how much time she puts into each one and, if there are any imperfections, they are ruthlessly discarded). The results are just spectacular, especially after adding the clear, glossy glaze. These beautiful, ceramic foxes are so much fun, they just make everyone smile.

On top of the foxes, Ella also has some stunning ceramic jewellery available on Faye and the Fox. You can see some of her latest examples below. Go to Faye and the Fox is you’d like to see more. Ella has been working on ceramic jewellery for a while now and I’m always interested to see how her style progresses.

a ceramic jewellery piece from Faye and the Fox
a ceramic jewellery piece
a ceramic jewellery piece
a ceramic jewellery piece
a ceramic jewellery piece

You can find some of Ella’s work here on fabhappy.com and you can also see her work on Etsy at Faye and the Fox. There’s no doubting her artistic ability and I’m very interested to see where her instinct takes her next. No doubt, she’ll be in the pottery studio every day and maybe there will be more cute foxes, more beautiful jewellery or even something unexpected! Can’t wait.

Until next time – Peter.

Written by Peter · Categorized: Features · Tagged: ceramics, fox, jewellery

Sep 23 2019

Squishies – amazing textile art

Squishies – amazing textile art

From Daisy Collingridge

Gloria and I have known Daisy Collingridge for a while now and there’s no doubt she’s an amazing artist in so many ways. I’m not using the word “amazing” lightly and you’ll see what I mean when you see her textile art, her “squishies”, in this article. Daisy was so nice to agree to answer some of my questions about her textile art and I’ve recorded her answers below.

What do you call these amazing creations that look like “fat suits”?

Daisy – “I affectionately refer to them as my ‘Squishies’. I spend so long making them that they definitely become animated characters to me. If asked to describe them I would say they sit in an awkward space between sculpture and performance art.”

A squishy in progress

Where and when did you get the inspiration for this?

Daisy – “I made the first ‘Squishy’ in 2016. It’s been a development process since then. Each time refining the technique as well as experimenting with colour palettes, weight, and pattern cutting. The inspiration is a hard one to decipher. My degree is in fashion design. The course was a conceptually led rather focused purely on making clothes. It gave me grounding in technical garment construction combined with freedom of thinking. My graduate collection was entirely free machine quilted. The ‘Squishies’ developed by pushing the technique of quilting to the extreme. Using layers of wadding sandwiched between fabrics to create extreme ‘puffs’- a pattern in relief. My work is always technique/craft led, rather than concept led, but it is unsurprising that I have chosen the human figure to explore. I come from a family of doctors, nurses and scientists. I loved biology and PE at school. The human body is fascinating: its ability to heal, to be pushed to physical limits and also to self-destruct. We are all made of the same components, yet as individuals we are all unique.”

Bits of Squishies all over the place

How long does it take you to make one?

Daisy – “I’ve never timed it but I suggest they take a very long time to make. I did make Burt in 6 weeks, but I did nothing else but make Burt. They are predominately hand stitched which obviously takes a long time!”

What materials do you use?

Daisy – “Hand dyed jersey and cotton, wadding, weighted pellets, beanbag beans, thread, and sand.”

Is there any special skill you needed to learn?

Daisy – “Not really. Essentially the technique is hand-sewn appliquéd quilting. It is a bit like ‘Trapunto’ combined with crazy patchwork. Other techniques I use are pattern cutting to make the free hanging pockets as well as hand dying to get the tonal colour palettes.”

Do you have a clear vision of a piece before you start making it?

Daisy – “Ultimately I make on impulse with only a rough plan. I had a ‘How to make a teddy bear’ book as a child. In the book it suggested you should make the head first so that the bear could watch you make it the rest of its body. I have adopted this method. After I’ve dyed the fabric, I make the head first. I let the head inform me what the character will be. At this stage I may do a sketch of the ‘silhouette’ of the rough body shape and then plough on regardless.”

squishies
squishies

What people worldwide have been interested in you work?

Daisy – “My favourite story is that I made a dress for ‪Bjork‬. It wasn’t one of my ‘Squishies’; it was a yellow quilted dress. That is still my biggest claim to fame.”

What do people want them for? How are they going to use and/or display them?

Daisy – “This is a question people ask me frequently. I wonder if people ask the same question of a painting or a sculpture? I accept they live in an awkward boundary between art, performance art, fashion and the dreaded ‘textile art’ tag. If they weren’t wearable and just existed as sculpture would they be accepted as sculpture? For me they are sculptures of the human form. They exist as objects of beauty and a point of reflection. They are no different than the men carved from stone at the British museum… except maybe their longevity.

Four ‘Squishies’ will be on show this Autumn; Burt, Clive, Dave and Hillary will be shown as part of the galleries at the Knitting and Stitching show (see www.theknittingandstitchingshow.com) this autumn in London, Dublin and Harrogate. They will be shown in still sculptural form. Though we might bring one to life.”

Do you have items for sale now?

Daisy – “Nigella is small version of the larger wearables. She is being shown at 108 Fine art in Harrogate in November (see 108fineart.com). She will be on sale there. I would like to use all four of them to create some imagery and film before I think about giving them new homes!”

Is this still a passion of yours, or are you on to something new?

Daisy – “Making 3D sculptures is definitely a passion. Its what I get most excited about. I think it is time to go back to an experimental phase. I’ve got so many things I want to play with and explore but it’s always hard to allow yourself the time to just play without necessarily producing something at the end.”

I, for one, hope that Daisy gives herself time to “just play”. I doubt very much that such activity of hers will produce nothing and I’m sure we’ll see some more new and amazing things from her in the future.

squishies
squishies - daisy collingridge
Daisy at work on a Squishy

So it’s with great thanks extended to Daisy for sharing her experience with and passion for 3D sculptures and her “Squishies”. They certainly are amazing. And this isn’t the only example of amazing art that emanates from Daisy Collingridge, but that’s another story… 


You can find out more about Daisy Collingridge using the following links;

  • www.daisycollingridge.com
  • www.dmcillustrations.com
  • On Instagram at @daisy_collingridge

Written by Peter · Categorized: Features · Tagged: sculpture, textile art

Aug 14 2019

Some of my pots in Aus

To me this is amazing. Someone in Australia wanted to buy a couple of my creations, and they like them! They sent me back some photos of where the bowl and plate is in their house (see below). To use a word that seems pretty common here in the UK, I’m “chuffed”. I have some pots in Aus.

pots in Aus

I keep thinking of myself as a scientist who’s not good at art. That must be what I thought was true about myself when I was young, and it has stuck. Today, I believe that everybody has art within them, and it’s just a question of if and when it’s allowed out. However, I still don’t think I’m good at art (maybe I’m wrong?).

The lady who bought these items from me also had an interesting story. She told me that she’s keeping them on a sideboard next to some other pots about which she said – “They are created by an Australian lady named Philippa James in the 1920s. She studied with one of the Boyds. These jugs are now on their third generation of our family. I rescued them from the OP shop pile my sister-in-law created when mother-in-law went into a Nursing Home. Her comment was ‘They are only worth what someone will pay for them’. Now I love my sister-in-law, but…”. Here’s the photo of the pots by Philippa James;

pots by Phillipa James
Philippa James’ pots.

It’s hard to find much information about Philippa James, but she definitely made colourful earthenware pots with inspiration from Australia’s flora. One of her pots was featured on the cover of the October 1983 edition of The Australiana Society Newsletter (see the links below) where a little bit of her history starts to come through.

So back to the main point of this post, I’m chuffed that I have some pots in Aus and that somebody really likes them. Even further, to have my pots beside Philippa James’ beautiful creations is more than an honour. Philippa’s work is so nice that they’re inspiring me to try some new things, so it’s back to the pottery studio for me.

Related Links

  • Some nice images of Philippa James’ work – http://www.antiquesreporter.com.au/index.cfm/category-lots/1798-james-philippa/
  • The October 1983 edition of The Australiana Society Newsletter (14 Mb pdf file) – 20_October_1983_No_4
    • This newsletter features one of Philippa James’ pots on the cover and she gets mentioned twice. Do a search to find her name and a little bit of the history starts to come through

Written by Peter · Categorized: Features · Tagged: Australia, Philippa James

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